Finally, 13 is here!!!

Here is face #13 "Bold" for the 29 faces challenge.

 She went through many changes for the last 3 days ( 1 hour each day), and I wish I would have been able to make her eyelashes better, and that my glitter paint were in a better condition, even though I just opened it for this project. Another thing to my liking is that some of the paper shows and compliment the piece very nicely. 

In a way this is a good study for painting drapery, something I really need to practice. 

More and more faces and grounds to play with!!!!

Here trying to catch up. I stayed behind a bit again, because the grounds I am trying out needed 24 hours to dry before using them.

Face #10

This cute "Fae Princess" is a mixed media piece. I used Caran D'Ache gouache studio set, colored pencils, Sharpie paint marker and a bit of acrylic over a paper treated with Daniel Smith transparent watercolor ground. Here I used the gouache very diluted, making it transparent like watercolors.

I still don't know how I feel about this ground. I didn't find it to be too absorbent, although I did not use a very thick layer on the paper. I put two coats of this ground on the papers. It is indeed better than untreated paper; maybe some more experimentation, on other surfaces, is in order to give a final verdict about this. It does dry clear, which give you the advantage of using the substrate color to your advantage. It does comes with a white finish though. 

Face #11, "Forest Fae" was also created on paper treated with Daniel Smith transparent watercolor ground  but with this one I only used gouache. I really like her too, she looks innocent and sweet to me; maybe is that huge bright eye.

 Here I took advantage of the green of the paper, as it also inspired the color scheme. So the fact that the watercolor ground was transparent helped me here.

For face #12

The surface Martha Stewart stucco ground was used. I really enjoy working on textured surface. I feel it give a certain character and interest to the pieces. This ground too need 24 hrs to dry before using it.
I wish I would have applied it more uneven, an also used less concentrated acrylic so it has more dimension. Even though, I like the old weathered look it has. I will continue exploring this idea in other pieces.

Face 9/29 faces

Here is a 10 minutes sketch in graphite pencil for my face #9 of the 29 Faces challenge. Again, I prepared the paper with Acrylic ground for pastel from Golden.

I am thinking about exploring drawing facial hair more in depth.

Playing with acrylic grounds and mediums

Here are my faces #7 and #8. I fell behind and now I am trying to catch up. Still experimenting with my supplies.

Face #7 was done in acrylics over a red canvas fabric treated with clear gesso. I used Liquitex Slow-Dri Blending gel. I like how it helps me blend better, but I am still playing with the medium/paint ratio. I have some tackiness due to too much medium.

In the case of #8 I used acrylic grounds for pastel by Golden. It can be use with any drawing media plus they say also acrylics and oil. I did found difficult and almost impossible to erase the graphite from this, however it provided a nice texture to the smooth paper I have there.

"Prayer": face 6 of 29 faces challenge

Here is my face #6, titled "Prayer". I prepared the paper with two thin coats of clear gesso. I was going to do it in color but then decided to go for a grey monochromatic color scheme. I think I worked great because the hearts from the paper stand out a bit and direct the eye to her. Plus the blueish undertone of the paint symbolized the "feeling blue" sentiment. When I feel blue I pray and then I am back to color.

Hands are always a challenge for me, and at first I wasn't sure to add it or not, but it was asking for it. It didn't feel finish nor did it conveyed the emotion and story I wanted. So I decided to add it. Not the best hand, but it does help to make the picture complete.

Art journal page: Dragon's chivalry

Created on my altered journal, this page spread took a couple of days, just because I only had the girl sketched but did not know what else to do. Suddenly the other day I got the inspiration, and this lovely dragon came to life; my second dragon ever. 

For the dragon scales I used Distress crackle paint; then used soft pastels to color it. The girls was color with prismacolor pencils, spectrum noir alcohol markers, and Faber-Castell Pitt artist pens. For the suggested flower forest, I used Distress ink, acrylic paint and soft pastels.

Dragon's chivalry, as I have called this art journal  page, has given life to the idea of making a challenge for the month of July, based on fantasy creatures. I want to try to create a fantasy creature every day. Right now I'm off by one, but it is okay; I can't wait to see what other magical creatures will come to life.

Playing on my altered book/journal with art supplies

This are the latest art journaling pages I've done on my altered book. Here I have tried different mediums, without fear. I got the book at my local Goodwill for a $1 and started playing with it. The motivation to start an altered book/journal came from Jane Davenport's class, Supplies me. A wonderful class, where she shows how to use lots of art supplies. I got fearful and started trying all the supplies I have been piling and not using.

This girls was made over fiber paste with water-soluble oil pastels (Portfolio, from Crayola). I sketched her with india ink; trying not to worrying about mistakes, just letting my self loose and seeing what could happen. She is not perfect, and if I would have sketched her with pencil, I might have made a few changes for sure. However, my goal was to let it loose and have fun, instead of seeking perfection. I didn't have to apply much pigment since the surface was very textured. The pastels were blended  with a water brush, they reacted beautifully. The only thing I found out is that I should have used some fixative, because after a couple of days, the pink on her cheek moved to another areas; also the colors started transferring to the opposite page. It has never happened to me before, so I guess it is do to the textured surface.

The next girl, was made over absorbent ground. It is used over gessoed surfaces to prepared the surface for watercolors and acrylics as well. It is very absorbent, and for me, the watercolors did not behave as on normal watercolor paper. I tried wetting the surface but it dried quite fast, so I feel that basically it was more of a wet on dry technique. For this one, I used TCW stencil (mini time travel), distress stains, india ink, acrylics, homemade glitter mists and watercolors. On this page I was practicing drawing arms, for the supplies me lesson. I really like this one, she is looking at the horizon waiting, for what? who knows. But it look serene and calm.

I really enjoyed the process of making these pages, they helped me with the art block I have lately. Welcome back my art muse!!!

Holly Mary Journal Page

by: L. Rios all copyright reserved 2012

A page from my Moleskine portrait journal, I loved and thoroughly enjoyed the process for this one. It took me more than one day but I don't regret it. This is the first time I used light modeling paste on any of my journals; I put it around the head and borders of the other page, to give texture and dimension. The modeling paste take some time to dry, so I just left it overnight to make sure it was dry before applying the blue paint. Also, added extra modeling paste after applying the acrylic paint and while it was wet. I did that, in order to create different tonalities. The face was made with Prismacolor pencils over a coat of clear gesso. Acrylic paint and ink were used on the rest of the pages; three-dimensional stickers complete the image. Writing on the right is a prayer to Jesus' mother, Mary.

The soft look of her eyes and the young and pure look of her face made me think of Virgin Mary, so I wrote down a beautiful prayer on the other page. This is one of my favorites pages; it is calming to look at her eyes, plus I can't stop touching all the textures on this pages.

Playing with alcohol markers

"Lola" by L. Rios all copyrights reserved

Finally, I decided to be brave and try out alcohol markers. All thanks to Jane Davenport's class Supplies Me, it is a lovely class where she shows how to use almost every art supply out there. Since I new that we were going to learn how to use alcohol markers, I went crazy and bought a few (not really, I bought lots). My collection of markers is mainly composed of Promarkers, followed by the new kid in the block, the Spectrum Noir (very affordable); and last but not least a few (very few) Copics.

For the Copics, due to the fact that they are so expensive, I just bought a couple of skin tones. The Promarkers I have in a wide range of colors and also in skin tones. I also got the Spectrum Noirs in skin tones, but also earthy tones, cool and warm grey tone. So, yes I did expend a lot in a spam of 5 months, trying to get a sample of every alcohol marker I could. For the sake of clarifying, the Supplies Me class does not required you to have all the alcohol markers that are out there; it was my own decision to get at least a sample of most of them.

Alcohol markers are very blend-able, and all the brands mentioned above works together very well. As you can see on the portrait I made and called "Lola", they blend pretty good. Please, keep in mind this is the first time I play with them for real, so it is not flawless but not too bad either. It wasn't totally easy, and it took some time to get the feeling of it and start learning how the markers behave on the paper, and how they interact with each other. Coloring with alcohol markers, requires patience and time if you want to get decent results at the beginning of this journey. I realize how different the coloring technique is, in comparison to colored pencils (like Prismacolors). The building up of the shadows is quite different that what I am use to with the Prismacolors. Lola's face, arms and hair were colored with alcohol markers; while the background and dress were colored with watercolors and distress stain, respectively on Canson Fanboy paper. This shows, how alcohol markers are also a great addition to your mixed media supplies.

The process for making "Lola" was fun and instructive; and I will definitely keep practicing coloring with alcohol markers and use them more often on my mixed media journaling. Will you give it a try?